I go through that....
I feel guilty in writing this stuff, "What is wrong with me? Why do I come up with this stuff?"
So then I start trying to make my story more clean cut, but then, I ask myself, is that horrifying?
For example, the "creepy guy" just gets off the bus at night and follows the female main character...sure, that's creepy
as opposed to- the female gets off the bus to escape the creep, then the bus stops and we see the bus driver's lifeless hand drop out the front as we now realize that the "creep" is much more terrifying, he has killed someone....and then steps out the back door and begins to chase the helpless lead female...
...MORE terrifying, scarier, because we have now seen that this person is terrifying and dangerous, not just creepy...this is where the drama comes from- the level of drama is equal to the level of peril your lead character is in...therefore, with horror, the amount of drama you get from the story also depends upon the level of danger/creepiness posed by the monster/villian
There are many ways to make the villian scary without showing gore....I am opposed to gore, I wont ever write that....like many have said, it is always much scarier what the audience imagines than what you throw in their face - less is more (Jaws, for example)
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