Rewriting has begun for my Script Frenzy script: I want to get it buttoned up so I'll have a fully realized story for Three-Day Novel Contest in September.
My story is about a werewolf that changes into various different ones based on his emotions. First thing I've purged out of the story was an unnecessary, exposition-heavy subplot involving a secret werewolf brotherhood called the Lupine Order. They really distracted from what I wanted the story to be.
Their role, as it turned out, was to tell the protagonist relevant information that stretched too long, disappear, and then reappear for arbitrary revelations and conflicts that could have easily been done without setting up a whole werewolf mafia thing. One of the first things that they do was tell the protagonist how to turn himself into a werewolf (his normal werewolf form, not one of the emotion ones), now I'm rewriting it so that the protagonist does that himself.
One way I'm thinking of doing it is that he smokes a joint after he's had a hard night of eating people, and while he's high, he accidentally changes by himself. It at least gives him more of a reason than sudden epiphany, but I'm worried that smoking pot is kind of a silly thing for him to do. It's kind of a genre-specific thing to do in a movie, and viewers might think it was the pot that made him change, and I'd have to explain that it wasn't. But a stoned werewolf seems like too funny an image to pass up...
Does it sound like a decent idea? What else could I do to let the protagonist come across this information? One of the themes about this movie is that the protagonist's body is kind of working against him; it's going through all these changes and he has to keep up.
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